Landscape in_Progress | Portfolio Categories #Skopje
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De Luca Alessandro

Title of the work

Brutal Monochrome

 

Short description of the work

 

Key words

Brutal – Monochrome – Skopje

 

Section

Photo

Bajkovski Blagoja

Title of the work

Excerpt from SKOPJEd_destratification

 

Short description of the work

 

Key words

Destratification – Skopje – SK14

 

Section

Photo

La Giusa Lucia

Title of the work

Almost Blue

 

Short description of the work

 

Key words

Opera Ballet Theatre – Skopje 2014 – Overshadow

 

Section

Photo

Tornatora Marina

Title of the work

Brutalist dissolving

 

Short description of the work

 

Key words

Brutalist – Balkan – Skopje

 

Section

Photo

Zanin Marco

Title of the work

Chromo Skopje

 

Short description of the work

 

Key words

Chromo – Skopje – Macedonia

 

Section

Photo

Petrov Aleksander

Title of the work

Balkan Brutalism

 

Short description of the work

Medical high school Panche Karadjozov – skopje.
Student campus Goce Delchev – skopje.

 

Key words

Brutalism – Skopje – Balkan

 

Section

Photo

Marinolli Mattia

Title of the work

Skopje 2014 – Unknown magnitudo

 

Short description of the work

 

Key words

Unknown – Heartquake – Brutalist

 

Section

Photo

Jovanovski Filip

Title of the work

If Building could Talk

Short description of the work

The research-based performative art project IF BUILDINGS COULD TALK in Skopje is a collaborative action actively including the local community in the very process of its creation as one of the rare examples of collaborative practices in Macedonia.  It is a multidimensional and multidisciplinary project which was conducted and conceived by the artist Filip Jovanovski, curated by Ivana Vaseva, in collaboration with the architect and researcher Dejan Ivanovski and the creative team: actresses: Kristina Lelovac, Sanja Arsovska, Jasmina Vasileva, Dolores Popovic, Ilija Tiricovski, video production, Dejan Petrovic, sound design and Oliver Musovic, production. In the center of this project is the Railway Workers’ Residential Complex in Skopje, built as a rare example of social and communal housing in the frames of the post-war modern architecture.
This project is part of The International Theatre Festival “Youth Open Theatre” in Skopje in the additional program and it`s also partner of the project Cultural spaces for active citizens” in partnership with LOCOMOTIVA – Center for new initiatives in art and culture. 

Author: Filip Jovanovski 
Curator: Ivana Vaseva 
Researcher and co-author of the script: Dejan Ivanovski 
Actresses: Kristina Lelovac, Sanja Arsovska, Jasmina Vasileva, Dolores Popovic 
Video production: Ilija Tiricovski
Participants: tenants in the building – Slobodan Kocevic, Ivan Dzijanovski, Tome Karevski

Producion: Oliver Musovik
Camera: Aleksandar Kotevski
Drone: Stojance Cavirovski
Editor and Sound Designer: Sashko Potter Micevski

Curator of the discussion and the performance piece: Ivana Vaseva
Organization: FRU – Faculty of things that can’t be learned, Bitola/ Skopje

Key words

Building – Skopje – Talk

Section

Video

Hristov Darko

Title of the work

Skopje

 

Short description of the work

 

Key words

Skopje – Brutalism

 

Section

Photo

Amaro Ottavio

Title of the work

Passato Presente

 

Short description of the work

 

Key words

Rovina – Internità – Temporalità

 

Section

Drawing

Oliveira dos Santos E

Title of the work

Lineamenti

 

Short description of the work

Libera interpretazione.

 

Key words

Geometria – Antico – Cultura

 

Section

Photo

Carli Giovanni

Title of the work

superstarSkopje

 

Short description of the work

Casta Diva, che inargenti
Queste sacre antiche piante
A noi volgi il bel sembiante
Senza nube e senza vel
(da “Norma”, Vincenzo Bellini, Felice Romani)

 

superstarSkopje mette in scena il melodramma urbano, il cambio d’abito della fu Casta Diva: l’architettura è un travestimento per ammaliare, per confondere, per sublimare la paura dei ricordi.

 

Key words

Maschera – Alterazione – Oblio

 

Section

Drawing

Korobar Vlatko

Title of the work

In the Beggining There Was… Order: Skopje cityscape with prefab houses in the late 1960’s

 

Short description of the work

A photography of the early years of Skopje reconstruction, when plans from the drawings boards were immediately transformed into spatial reality, showcasing the order that was to be and mirroring the prevailing planning ideas of the time.

 

Key words

Urban planning – Settlements with prefab housing – Post-earthquake development

 

Section

Photo

Rafailovska A. Samardjiev D.

Title of the work

Brutally Fractured Patterns

 

Short description of the work

The disastrous natural and cultural origin of the brutally fractured patterns on the urban map of Skopje, seems to signify a scarified palimpsest of conflicting architectural layers. Nonetheless, to locate a certain historical stratum in the urban development of the city of Skopje as the original urban physiognomy is a highly questionable act. This exit from the architectural realm and the transgression towards traditional embroidery patterns allows us to critically maneuver at a safe distance from conflicting architectural viewpoints and pull the loose threads of the
urban map of Skopje from outside. That way we might employ embroidery as an ornamental way of stitching together historically and politically torn and fractured architectural patterns in new creative contexts. One might ask what is the relation of traditional embroidery and brutalist architecture, is not the escapade into the domain of textiles too safe of a distance to be of any relevance to contemporary theory of architecture ?

 

Key words

Brutalli – Patterns – Skopje

 

Section

Text

Hristova Popovska Aneta

Title of the work

Trainspotting

 

Short description of the work

The anthropological standpoint that sees the particular reading of the ‘modern’ embedded in its key conceptual resource, the idea of the dynamic ‘cognitive map’, is crucial for understanding of the processes that influence the paradigm shift from the traditional to the modern reading of the city and by which the particular phases of the modern discourse can be identified. In the theory of perception the ‘movement’ defined by the Athens chapter as a synonym of the ‘functional city’ gains the role of a visual instrument, by which it is possible to create legible visual matrixes and then transmit them into a complex mental picture of the surrounding. The particular cinematic sequences of that picture generated by the transportation systems, create visual narratives whose strength lies in the permanent production of new interpretations of meanings. Two iconic buildings in Skopje from different generations of the Modern are benchmarking the local discourse paradigm shifts from ‘early modern’ through ‘doctrinaire modern’ to ‘late modern’: The Skopje Railway Station (Velimir Gavrilović, 1937) and the Transportation Centre (Kenzo Tange, 1980). Hereby, we present them as narrative tributes to the image of modern Skopje.

 

Key words

Cognitive map – Perceptual form – Visual narrative

 

Section

Text

Fatigato Lecoeur Acampora

Title of the work

Lost In Translation

 

Short description of the work

Skopje an Europan Capitale through non sense ʺantiquisationʺ or unique European brutalism belonging to a web of extraordinary utopian project? By choosing a neoclassical decorum that is only a falsification of architecture and politics, Skopje did not make the choice of a ʺRenaissanceʺ, as Tange suggested in 1965, but of a great spring backwards, as others cities have done before. Rather than joining communities by a system architecture, which could be strengthened, but which made its identity, the capital chose to freeze its architectural future with the falsification of its image. And to ally itself with the merciless impoverishment of its values without bet on its European uniqueness. Who wins: false democracy of popular architecture or the populism of a false architecture?
1. The life of forms in architecture
2. Erasing potemkin’s dream
3. Skopje neo-animal brutalist capital
4. Greetings from skopje

 

Key words

Democracy – Falsification – Neo-brutalism form

 

Section

Drawing

Rafailovska Ana

Title of the work

Brutally Fractured Patterns

 

Short description of the work

Еmbroidery as an ornamental way of stitching together historically and politically torn and fractured architectural patterns in new creative contexts.

 

Key words

Еmbroidery – Fracture – Patterns

 

Section

Drawing

Russo Antonello

Title of the work

Il Campo di Skopje

 

Short description of the work

Lettura inedita della planimetria urbana di Skopje ottenuta dalla elaborazione digitale dell’incisione di Giovanni Battista Piranesi, Le antichità romane, Tav.II, del 1784.

 

Key words

Frammento – Città – Composizione

 

Section

Drawing

Cattaneo Elisa Cristiana

Title of the work

42° 0′ 0″ N, 21° 26′ 0″ E

 

Short description of the work

Ricomposizione in distorsione degli ologrammi urbani.

 

Key words

Geografia – Ologrammi – Landscape

 

Section

Drawing

Degli Esposti Lorenzo

Title of the work

Skopje2099

 

Short description of the work

Il disegno raffigura l’utopia di Tange realizzata nell’anno 2099.

 

Key words

Utopia – Tange – 2099

 

Section

Drawing

Baglivo Carmelo

Title of the work

Skopje – Roma

 

Short description of the work

Skopje – Roma 5 punti
1. Tutto si trasforma attraverso logiche di accumulazione – Accumulazione come strategia di crescita.
2. No all’ideologia come imposizione di un pensiero unico – Ideologia come apertura.
3. Fine della storia come sequenza temporale – Inizio della storia come accumulazione atemporale.
4. Progetto architettonico sempre figlio dell’Utopia – Utopia realizzata su cui è lecito riscrivere.
5. Accumulare sulle utopie degli altri – Processi d’innesti di riscrittura.

 

Key words

Accumulazione – Immaginario – Utopia

 

Section

Drawing

Jakimska Ana

Title of the work

The Future is Brutal

 

Short description of the work

In the future, many things will be changed. The sky above Skopje will have two suns and spaceships will fly over our squares. People will look different, wearing new outfits that will allow for easier movement and survival in the new world. However, there will be much fewer of them left, as a consequence of the poor air quality and the continuous deterioration of the conditions for sustaining life. In the harsh circumstances of the future, what will survive is the city’s brutal architecture. Brutality will be a reminder of the damage done by men as a consequence of the lack of a greater vision and solidarity.

 

Key words

Brutalism – Future – Pollution

 

Section

Photo

Ginex G. Trimboli F.

Title of the work

1010_leaft

 

Short description of the work

L’albero è foglia e la foglia è albero_ la casa è città e la città è casa. Un albero è un albero ma è anche un enorme foglia. Un foglia è un foglia, ma è anche un piccolo albero. Una città non è una città se non è anche una grande casa. Una casa è una casa solo se è anche una piccola città.

 

Key words

Foglia – Casa – Città

 

Section

Drawing

Anselmi Cecilia

Title of the work

Skopije Thousand Arms ReGenerating Dance

 

Short description of the work

Digital photomontage based on photo by Thomas Fuesser, Xu Zhen “European Thousand Arms Classical Sculpture” (2015) and photo by Matteo Milano, Student House ‘Goce Delchev’, Georgi Kostantinovski, Skopje.

 

Key words

Red  – Line  – Photomontage

 

Section

Drawing

Capozzi Renato

Title of the work

Brutalismo tettonico

 

Short description of the work

Il disegno vuole sondare, attraverso la rielaborazione di una foto di Lucia La Giusa del MoCA – Museo d’Arte Contemporanea di Klyszewski, Mokrzynski e Wierzbicki del 1970, la possibilità di riconoscere anche nell’apparato figurale brutalista, di norma affidato alla parete, un assetto tettonico. Un assetto che connette in maniera evidente e riconoscibile alcuni elementi della costruzione (colonne, travi, vetrate) e non solo masse continue e opache per consentire, come in nel caso del MoCA per la sua posizione elevata, una apertura ala paesaggio urbano e naturale.

 

Key words

Tettonica – Elementi – Apertura

 

Section

Drawing

Fusco Alessandro Fabio

Title of the work

Dis-continuity

 

Short description of the work

Modern’s fragments between continuity and discontinuity.

 

Key words

Continuity – Discontinuity – Fragments

 

Section

Drawing

Marini Sara

Title of the work

A Tame Modernism

 

Short description of the work

The text proposes a reflection on the dimension of tame modernism. The realization of Kenzo Tange’s project for Skopje is read as evidence of the reconciliation between the heroic dimension and the domestic condition of the project. These two opposite natures, which the fragment of modernity holds together, continue to face each other inside but at the same time propose a possible useful cohabitation to the paths of contemporary architecture.

 

Key words

Kenzo Tange – Domestico – Modernità

 

Section

Text

Positano A. Konstantinova J.

Title of the work

Skopje. A Transitional Model
Text by Jana Konstantinova and Anna Positano – Photographs by Anna Positano

 

Short description of the work

Skopje is a case study to analyse contemporary architecture and identity in the Balkans, in the light of the current Macedonian political affairs and urban transformations. Several cultures and long-lasting migrations shaped Skopje’s urban fabric. Yet the city is mostly the result of political choices of the last fifty years. In 1963 the global political response to Skopje’s earthquake profoundly affected the city. As the Cold War reached its climax, international efforts to rebuild the city had the objective to pursue a global political stability. With the support of the United Nations, the Yugoslavian government adopted Kenzo Tange’s reconstruction plan of brutalist buildings, which made Skopje a modern, utopian metropolis. When Macedonia gained independence in 1991, nationalist politics changed the identity of Skopje’s architecture. The Socialist, international post-quake architecture could not represent Macedonian identity any more. Along with slow political transition, in 2010 the government announced a plan of urban renovation, Skopje 2014. The plan is turning Skopje’s brutalist heritage into neo-neoclassical buildings. The new confused and scattered built environment takes apart the civil society from architecture. This in combination with a young, uncertain political situation affects people’s personal and socio-cultural values. The plan attracted strong criticism since its announcement. Protesters have taken to the streets of Skopje and recently have turned into a Colourful Revolution against the general cultural austerity. Similar to other former Socialist countries, Skopje appears unable to re-examine and evaluate its architectural past. A city that once was the model of global architectural solidarity, now offers a case study of transitional post-Socialist dystopia.

 

Key words

Brutalism – Transformation – Politics

 

Section

Text

Batakoja Meri

Title of the work

Skopje’s Mega Block: modern architecture as an art of grafting

 

Short description of the work

The formative idea of “grafting” or “graftage” is originally a horticultural technique of inserting tissues from one plant to another in order for them to join together and continue to grow as a single plant. The technique of “graftage” in architectural context would mean that a new architecture is being interpolated over an old one, but by a set of treatments used, the different architectural interventions function as a single entity. It is presented in this text in the context of modern architecture of one singular urban block of Skopje.

 

Key words

Grafting – Modern architecture – Skopje

 

Section

Text

Naumovski Maksim

Title of the work

Dispositif

 

Short description of the work

Michel Foucault
“What I’m trying to pick out with this term is, firstly, a thoroughly heterogeneous ensemble consisting of discourses, institutions, architectural forms, regulatory decisions, laws, administrative measures, scientific statements, philosophical, moral and philanthropic propositions–in short, the said as much as the unsaid. Such are the elements of the apparatus. The apparatus itself is the system of relations that can be established between these elements.” “The Confession of the Flesh” (1977) interview. In Power/Knowledge Selected Interviews and Other Writings (ed Colin Gordon), 1980: pp. 194–228.

 

Key words

Infrastructure – Territory – Apparatus

 

Section

Drawing

Naumceski Aleksandar

Title of the work

Imaginary City

 

Short description of the work

Part of the project “Imaginary City”, a series of generated urban scenes and details. The photographic image created by taking photographs at different locations serves as a tool in the creation of new architectural / graphic solutions. The process in its turn represents designing through photography.

 

Key words

Architecture – Imaginary – City

 

Section

Photo

Kardula Zoran

Title of the work

Skopje Brutalism

 

Short description of the work

Illustrations in the minimalist style of some brutal buildings in Skopje.

 

Key words

Skopje – Ilustration – Brualism

 

Section

Drawing

Noev Igor

Title of the work

Walking on broken glass
Typological shifts of Skopje and the continuing discontinuity of its urban landscape

 

Short description of the work

The essay introduces a particular historical frame, interpreting the urban development of the city of Skopje as a self-referential paradox. Within its turbulent history, Skopje survived three significant typological shifts represented with the urban designs by the teams of Josif Mihajlovic, Ludjek Kubes and Kenzo Tange. Partially carrying out and later abandoning these projects, led Skopje to reawake each time portraying a new typological narrative.
In this context, the so called “project Skopje2014” is interpreted as the latest narrative which continues the discontinuity of the urban landscape. In addition, it poses a great ethical challenge for the urban thinkers in Skopje at present time.
Model 01 – “Traditional” Skopje 1890
Model 02 – De-facto to De jure 1929
Model 03 – From “Genius loci” to “Zeitgeist” 1948
Model 04 – From “Modern” to “Postmodern”

 

Key words

Skopje – Typological shifts – Historical urban plans

 

Section

Text

Misiti Marina

Title of the work

MUP Mappe Urbane Personali – Skopje

 

Short description of the work

Alcuni degli edifici in stile brutalista e modernista di Skopje sono qui scomposti e rivisitati attraverso pattern colorati per offrire una nuova mappa urbana (e personale), sospesa tra memoria e presente. La rigenerazione e rivalutazione in chiave contemporanea del patrimonio architettonico brutalista, avviene qui attraverso un uso politico e poetico del colore (così come utilizzato nella recente “rivoluzione colorata” del Paese, durante le proteste del 2016), con le sue infinite possibilità di reinvenzione e recupero creativo del paesaggio urbano.

 

Key words

Mappeurbane – Rivoluzione colorata – Skopje

 

Section

Drawing

Raso Patrizio

Title of the work

Digestione di un palazzo

 

Short description of the work

Per dieci minuti ho osservato l’icnografia dell’impianto idrometereologico di Krsto Todorovski, ho provato a disegnarlo a memoria. Ho riguardato per altri dieci minuti il disegno originario per disegnarlo ancora. Ho ripetuto l’esercizio più volte fino alla definizione di una forma autonoma. Ho affidato questa forma nuova alla fragilità di un palloncino che nel frattempo ha perso il fiato.

 

Key words

Disegno – Memoria – Appartenenza

 

Section

Drawing

Softic Adnan

Title of the work

 A plea for the balkanization of europe

 

Short description of the work

The storytellers of the new Balkan states are diligently handicrafting something using memories and desires. However the price cannot be measured in euros. The price is the transformation of the local inhabitants into foreigners. It is time we remembered the true history of the Balkans. In the 20th century, the history of the old multinational states was overwritten with a national history. Let us expose it. We will see: The “Balkanization of Europe” is not a doomsday scenario. It is, with its democratic characteristics, the only way.

 

Key words

Nation-building vs. Balkanisation – A-Better-History

 

Section

Text

Sattin Laura

Title of the work

“Skopje 2030” interview with Simon Hartmann

 

Short description of the work

Simon Hartmann was born in 1974 in Bern, Switzerland. From 1994 to 2000 he studied at ETH Lausanne, TU Berlin and ETH Zurich. He collaborated with Rolf Furrer Architekten from 2000 to 2003 and he is teaching assistant at ETH Studio Basel from 2002 to 2007. In 2003 he founded HHF architects with Tilo Herlach and Simon Frommenwiler. HHF architects, based in Basel, has completed and ongoing projects in Switzerland, China, the United States, Germany, Italy and Montenegro. Simon Hartmann is a professor from 2009 to 2017 at HEIA Friborg. In 2011 he is Visiting Professor at the University of Innsbruck and in 2014 at the KIT of Karlsruhe. Since 2018 he has been Visiting Professor at the Yale School of Architecture.

 

Key words

Intervista – Interview – интервју

 

Section

Text

Casari P. Di Carlo P.

Title of the work

Politiche di nazionalizzazione e architettura: la radicale trasformazione urbanistica della città di Skopje

 

Short description of the work

Al fine di comprendere le ragioni delle scelte che hanno portato alla distruzione del patrimonio architettonico brutalista, si propone qui un’analisi che mette in relazione l’architettura e il nazionalismo. Tale trasformazione urbana è dovuta al totale stravolgimento del centro di Skopje fortemente voluta dal governo VMRO-DPMNE. La ricerca mette a confronto più teorie derivanti dalla scienza politica, dalla sociologia e da quest’ultima applicata all’architettura. Il periodo cui si fa riferimento nello studio è quello compreso tra le ricostruzioni del 1963 e dei primi due decenni del XXI secolo.

 

Key words

Nationalism – Architecture – Skopje

 

Section

Text

Dimitrovska Elena

Title of the work

Skopje in the contemporary Macedonian film

 

Short description of the work

The article focuses on the representation of Skopje and its architecture in contemporary Macedonian cinematography.

 

Key words

City – Cinema – Skopje

 

Section

Text

Cazzaniga Laura

Title of the work

Vardar’s Banks

 

Short description of the work

15 cm of rope River Vardar, Skopje-Macedonia 2009
Action realized for the Workshop “Public Invasion. Derivè in Skopje”, curated by Marco Trulli, in collaboration with Bjcem and Arci Viterbo. “Vardar’s Banks” is an action realized in correspondence of the banks of the river Vardar, in the city of Skopje. The characteristic of this river is that divides in two parts the city: from a side there is the commercialized & gentrificated Skopje, in the hand of Realestate speculation; from the other the poor Skopje, of Roma camps, where marginalised gypsy community live, and where you can still see naked children play at the foot of the river (at least until 2009, year of the action). With this work I have wished to connect and getting the two cities talking. I met a friend in the midpoint of a bridge, each of us took an head of the rope and, keeping the rope tight, we separated by crossing the opposite banks of the river Vardar. The rope was then fixed to the ground.

 

Key words

Skopje – Vardar – City

 

Section

Video

Petrushevski Ivan

Title of the work

Skopje

 

Short description of the work

A small illustrated collection of my favorite buildings in Skopje.

 

Key words

Skopje – Architecture – Illustration

 

Section

Drawing

Talaat Hazem

Title of the work

[re]thinking: brutal

 

Short description of the work

[re]thinking: brutal is not just a recall of a nostalgic socialist architecture, but also a brutal [re]design of an important representative building of skopje 2014, dreaming of new brutal because brutal maybe is not brutal enough.

 

Key words

[re]thinking – [re]drawing – [re]design

 

Section

Drawing

Pascale Francesco

Title of the work

People from Skopje
MEPSO lifting

 

Short description of the work

Quasi il 10% dei fondi del programma Skopje 2014 è stato impiegato per la costruzione di statue monumentali. La città si è popolata di persone inanimate: santi, poeti, re e guerrieri a cavallo. Nel frattempo le persone vere, con tutte le difficoltà, continuano a esistere.
Il piano di rinnovamento urbano Skopje 2014 comprende molti interventi di ricostruzione delle facciate. Un esempio è il rivestimento eclettico che ha subito l’edificio MEPSO: come in un lifting si sovrascrive prendendo come riferimento un’idea di bellezza generica e fuori contesto.

 

Key words

Monumento – Statue – Persone – MEPSO – Facciata – Lifting

 

Section

Drawing

Ventura Valerio

Title of the work

Brutalism, concrete, paper?

 

Short description of the work

Brutalism, concrete, paper?

 

Key words

Brutalism – Concrete – Paper?

 

Section

Drawing

Schwager Matthew

Title of the work

Skopje Texture Pack

 

Short description of the work

I took a few grains of Skopje brutalism and expanded them into a complete texture pack. The result is a preservation of essence, a brutal mycelium, or perhaps an infinite building.

 

Key words

Skopje – Texture  – New-media

 

Section

Drawing

Monojloska Julija

Title of the work

Objects

 

Short description of the work

These photographs represent buildings in Skopje. Although they look like sculptures, in their being they are less brutal than the institutions they represent, Student dormitory and Macedonian post office in Skopje.

 

Key words

Brutalism – Architecture – Institution

 

Category

Photo

Canziani Stefano

Title of the work

L’impero colpisce ancora
MoCA Expansion
Stroboskopje
LHSB – Lunar Hydrometeorological Service Building
SK-SK

 

Short description of the work

L’operazione SK2014 si sta attrezzando per far scomparire testimonianze importanti del modernismo di Skopje. Ma c’è ancora qualche speranza di salvezza nella lotta tra il “bene” e il “lato oscuro”.
Si vuole creare idealmente un dialogo tra il progetto contemporaneo e gli edifici del moderno a Skopje. Una convivenza possibile che porti un valore aggiunto al patrimonio esistente e non il contrario.
L’intento del disegno è fornire uno spunto per cercare di far notare come una seconda vita sia possibile per determinati edifici che caratterizzano Skopje, senza doverne cancellare il carattere originale, basta vederli da un altro punto di vista.
La luna è davvero l’unica speranza per salvaguardare il brutalismo macedone?
Invertire il punto di vista può permetterci di vedere tutto in un’ottica differente.

 

Key words

Resistenza – Utopia – Brutalismo – Megastruttura – Borko Lazeski – Luna – Upsidedown – Second life

 

Section

Drawing

Mammoliti Michele

Title of the work

RE-new

 

Short description of the work

Al comando cancella/copia/incolla…ricostruzione sulla costruzione

 

Key words

RE – Costruzione – Reconstruction

 

Section

Drawing

Popova Aneta

Title of the work

Fragment S

 

Short description of the work

Slowly fired ceramic square (stoneware clay) up to 1020°. The final result is representing a section in concrete. Therefore, the viewer can touch, feel and connect to the material, and the object itself becomes a documented artefact. Related to the subject, the square with its silent but solid poetry, is directly taking part within the landscape in progress. The goal is to reach an emotional reaction and to transform the unfortunate detachment into a new consciousness. The piece has multiple dimensions, it is a drawing, collage, 3D document.

 

Key words

Ceramics – Concrete – Artefact

 

Section

Drawing

Russo Marco

Title of the work

Greetings from Skopje!

 

Short description of the work

Futuristic mistakes. How would be Skopje if Kenzo Tange’s metabolic vision had been built? Pecche di avvenirismo. Come sarebbe stata Skopje se fosse stata realizzata la visione metabolista di Kenzo Tange?

 

Key words

Skopje architecture – Kenzo Tange plan – Brutalism.

 

Section

Drawing

Trentani Martina

Title of the work

Il ponte che collega i due mondi
Architettura e Religione
L’imponenza di un muro in cemento

 

Short description of the work

Il ponte di pietra svetta in primo piano sugli edifici di “Scopje 2014” e collega Piazza Macedonia, figlia del nuovo piano di rinnovamento urbano, con il vecchio bazar ottomano
La cattedrale di San Clemente di Ohrid è un edificio modernista di Brezoski in cui è evidente l’influenza brutalista
Tratto della Muraglia Urbana di Kenzo Tange, il progetto basato sull’archetipo del muro

 

Key words

Collegamento –  Storia – Brutalismo – Brezoski – Muro – Cemento

 

Section

Photo

Petrovska Angela

Title of the work

Out of context corners
Sculptural sunset
Pastel windows
Where memories dance
Textures

 

Short description of the work

The hardest thing to do is take out architecture out of it’s context especially when it is based around it. Here, through a simple shot of the corner, we see the architectural detail of the Museum of Macedonia.
The modernist white setting of the Museum of Contemporary Art is changed thanks to the entering light of the sunset. Suddenly it gives the building a new colorful character, one that mimics an art piece.
The soft pastel colors in contrast to the harsh concrete, an intertwining in the facade of the student dormitory in Skopje.
Trapped childhood memories in a metal box, a home to laughter and joy, once very close, now forgotten and deteriorating.
The clear blue sky mixes in between the cold grey tones of the facade of the building of the Macedonian Radio, creating a connection between nature and architecture. Isolated from the context of the whole form, this corner gives us a peak into the details of Macedonian modernism.

 

Key words

corner – contrast – colors – concrete – windows

 

Section

Photo

Taccagni Marco

Title of the work

Window pattern

 

Short description of the work

Skopje’s Post office by Janko Konstantinov was built in multiple steps. The project isolates a unique element from the two main construction phases, which becomes pattern, by clearly showing the formal evolution of the structure.

 

Key words

Window – Pattern

 

Section

Drawing

Campeotto Susanna

Title of the work

operazioni (il)legittime
Cattedrale
Tramonto

 

Short description of the work

In un gioco immaginario di infinite sovrapposizioni, l’anima brutalista della città potrebbe un giorno risvegliarsi e uscire dalle sue maschere storiciste. Qual è la vera identità di Skopje?
Central Post Office, Janko Konstantinov, 1974,1982,1989.
Il cemento armato non è solo grigio.

 

Key words

Involucri – Maschere – Sk2014 – Poste – Konstantinov – Brutalismo

 

Section

Photo

Scandurra Salvatore

Title of the work

The loot of Alessandro Magno [on a photo of Alessandro De Luca]
Monument to the wreckage

 

Short description of the work

Black shadows like the forms of Jean Arp that describe the places where ‘the Magno’ at the center of Europe hides his world.
1963. Extraction of the fragment from the epicenter of the world. Image of a permanent and transitory place to absorb the weight of history.
02 Black shadows like the forms of Jean

 

Key words

Epicenter – Black hole – FORGETFULNESS –  1963 – Libra – Transeunte

 

Section

Drawing

Babic Maja

Title of the work

Re-Building Skopje: The Curations of Past and Present in the ‘Capital of Kitsch’

 

Short description of the work

Architectural investigation into Skopje provides us with the tools to understand both the Yugoslav and post-Yugoslav architectural and political events. The contemporary architecture of Skopje exemplifies of the architectural production in the post-socialist Southeastern Europe and its deeply intertwined relationship with politics. The examination of the re-production of politics and ideology through architectural construction, allows for an insight into events taking place in Skopje today, in the deeply problematic processes of both canceling and negating of the communist past. I study the two reconstructions of Skopje, the post-1963 earthquake period and the contemporary architectural events in the city, and I argue that both projects exhibit the shifting relationships between architecture and politics, as well as its perpetual re-negotiations, and the paramount importance of their contexts in understanding the conjunction of the past and present in the city.

 

Key words

Brutalism – Heritage – Nationalism

 

Section

Text

Milosavlevska Vesna

Title of the work

Brutalizamot vo funkcija na UKIM

 

Short description of the work

Fotografiite se napraveni vo 2006ta godina vo Univerzitetskiot kompleks sv. Kiril i Metodij i vnatresnosta na Praven Fakultet Justinijan I, so analogen aparat Canon EOS 3, a prikacenite primeroci se skenirana kopija od samite negativi.

 

Key words

Brutalizam – Univerzitetski kompleks sv. Kiril i Metodij –  Praven Fakultet

 

Section

Photo